一个男权话语的文本——解读《和解》
A Patriarchy Text—Analysis of Reconciliation

作者: 谢志宇 :浙江大学外语学院,杭州;

关键词: 性别男权炫耀蔑视Gender Images Compliment Despise

摘要:

中篇小说《和解》在日本现代文学史上占有相当重要的地位。一方面它继承了明治文学中家庭小说的特点,同时它又对战后五十年代的家庭小说起到了规范性的作用。笔者认为,这篇小说同时还表现出作者对男权、父权的炫耀,以及对女性的歧视。笔者通过对作品中性别形象的解读,分析这部作品所具有的男权中心的特点。这一特点也是志贺直哉文学的另一大特征。

Abstract:
The novelette Reconciliation is very important in Modern History of Japanese Literature. On the one hand, it carries on the characteristics of the “Family Novel” of Meiji period, which depicts family relationships; on the other hand, it has played a normative role in the post-war “Family Novel”, which emerged in 1950s. According to this paper, however, the novelette also reflects Shiga Naoya’s flaunting of patriarchy and discrimination against women. Based on the interpretation of gender images, the author seeks to analyze that the work has the characteristics of male power center consciousness, which is another characteristic of the whole body of Shiga Naoya’s works.

Abstract:

文章引用: 谢志宇 (2013) 一个男权话语的文本——解读《和解》。 世界文学研究, 1, 9-13. doi: 10.12677/WLS.2013.12002

参考文献

[1] 志贺直哉, 著, 谢志宇, 译. 和解, 现代日本文学全集20『志贺直哉集』[M]. 日本: 筑摩书房, 1954: 356-405.

[2] 山田有策. 和解的结构. 制度的近代藤村•鸥外•漱石[M].日本: 樱枫社, 2003.

[3] 竹盛天雄. 志贺直哉的父与子——近代文学史的视角[A]. 日本文学研究资料丛书《志贺直哉Ⅱ》[C]. 日本: 有精堂, 1978.

[4] 胜本清一郎, 谷崎润一郎, 志贺直哉. 日本文学研究资料丛书《志贺直哉Ⅰ》[M]. 日本: 有精堂, 1977.

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